For filmmakers

Shoot the film you can't afford to shoot yet

Most films die in development, not production — the idea is good, the deck is thin, and nobody can see it. Ehudai gets your film visible: scenes broken down, characters designed, boards drawn and shots moving, before you have raised a cent.

The gap between a script and something people can see

A screenplay asks a financier, a collaborator, or an actor to imagine your film. A concept reel asks them to watch it. Traditionally that reel costs a shoot you cannot fund until you have the reel — the circle every independent filmmaker knows. Closing that loop is the point of this whole platform.

What you get

Script breakdown that understands structure

Upload a screenplay or write one here. It comes back as scenes and beats with characters, locations and props pulled out — the same breakdown a first AD would do, as the starting point rather than the end of a week.

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Characters that stay the same person

Design a character once and lock it. Their face, their costume and their look carry into every board and every clip, so shot 90 matches shot 1 instead of being a different actor who looks similar.

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Storyboards and shot lists

Frame out a sequence, adjust any panel, and re-roll only what you want changed. Coverage, blocking and camera notes come out as boards you can hand to a crew.

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Clips at the resolution a festival will take

Up to 4K and up to 30 seconds per clip across Seedance, Veo, Sora and Kling — switch between them per shot rather than committing to whichever one you subscribed to.

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How it fits how you already work

Your script stays your script
Nothing rewrites your screenplay unless you ask it to. The breakdown reads what you wrote; the writing tools are there if you want them and out of the way if you don't.
Use it for pitch, previz, or the film itself
Some directors use this to raise money and then shoot conventionally. Some ship what they generate. Both are fine — the tools do not assume which one you are doing.
Everything exports
Boards, stills and clips come out as files you own, in formats an editor can open. This is not a walled garden with your film inside it.

Start with a scene

Pick the sequence you most wish people could see, and build that one first. It costs nothing to find out how close you can get.